Never ever forget that we are dealing with cold blooded killers who have co-opted Islam. Even when they are found “not guilty” of writing bad poetry, “these” people are dangerous.

NEFA has released a new slide presentation about a woman known as the “Lyrical Terrorist” Samina Malik, who along with Sohail Qureshi was accused of planning terrorism in Afghanistan and other places against coalition. Malik was prosecuted for possessing the documents, and not for her poetry. See Kohlmann’s post at Counterterrorism Blog.

Excerpt from “How to Behead” by Samina Malik
It’s not as messy or as hard as some may think.
It’s all about the flow of the wrist.
Sharpen the knife to its maximum.
And before you begin to cut the flesh.
Tilt the fool’s head to its left.
Saw the knife back and forth.
No doubt that the punk will twitch and scream.
But ignore the donkey’s ass.
And continue to slice back and forth.
You’ll feel the knife hit the wind and food pipe.
But Don’t Stop.
Continue with all your might.
About now you should feel the knife vibrate.
You can feel the warm heat being given off.
But this is due to the friction being caused.

More of Malik’s poetry:
• In a poem titled “Raising Mujahideen Children,“ Malik suggested that indoctrination should begin at 7 years of age: “Show the children videos and pictures of mujahideen and tell them to become strong like them…Explain how the Mujahideen fear no man - they fear Allah alone, and for his sake they are able, willing and capable to do anything in defence of Islam.”
• In a poem titled “The Living Martyrs,” Malik wrote: “For the living martyrs are awakening and Kuffars [non-believers] world soon to be shaking.”
• She also wrote, “Let us make Jihad/ Move to the front line/ To chop chop head of kuffar swine,” as well as that “Kafirs your time will come soon, and no one will save you from your doom.
• Malik argued: “to partake in something and to write about something are two different things.” She continued, “this does not mean I wanted to convert my words into actions.” She even claimed she “did not realise there was such a thing as extremism.”
• Her defense team also drew parallels with the WWI poetry of Wilfred Owen: “Poetry can be described as disturbing, shocking, even repulsive. What is the intent? Is it to shock, to revolt? That in itself doesn’t make it criminal and it doesn’t help you to get into the mind of who has written it.”

And now for the “punch line.” While at first convicted, she was let go because the British courts rules that actions and not thoughts were illegal.

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